15 March 2023

L'isola dei resuscitati morti at The Frida Cinema (20 Gennaio 2023)


On Friday, January 20th, the RENDEZVOUS crew and I celebrated our 15th anniversary at the beautiful Frida Cinema in Santa Ana, California. As part of the evening's festivities, we partnered with Austrian film/music label Cineploit and screened L'isola dei resuscitati morti -- a short film directed by Domenico Montixi that is a brilliant homage to Italian zombie genre films of the early '80s à la Lucio Fulci and Joe D'Amato. The film screened beautifully and, from the audience's reaction, was a tremendous hit. Below you'll find Antonio Lucchi's stellar poster art and a behind-the-scenes video of his alternative poster. The Rendezvous event poster above was designed by RENDEZVOUS graphics wiz Carlos Colón.




 

And here's footage of the film's introduction by Cineploit's Alex Wank and director Domenico Montixi (footage shot from the projection booth on my iPhone).

 

Many thanks to our guest DJ and dear friend Scott Carlson for hooking us up with Cineploit and Domenico, to the awesome staff at The Frida Cinema, and to all our friends and patrons who joined us that night.



22 April 2021

The Story Behind Blutbraüer's Score for Andy Warhol’s Meat for Wolfman


Just to be clear, Blutbraüer are in fact a contemporary musical group consisting of musicians Corey J. Brewer and Erik Blood, featuring flute and saxophone by Joel Culpin. Their latest release, Andy Warhol’s Meat for Wolfman, is a faux soundtrack for an "unfinished" West German film from the mid-70s. This tape features amazing gothic horror cues utilizing guitar, drums, harpsichord, keys, etc. Just for a bit of fun, I created an elaborate backstory to go along with it. This was originally published in a Rendezvous newsletter (be sure to subscribe!) from 16 April 2021. Hope you enjoy.

The year was 1975 and New York pop artist Andy Warhol was riding high from the success of his two monster movies he co-produced in the years prior: 1973’s Flesh for Frankenstein, and 1974’s Blood for Dracula. After a string of double-feature showings in some of 42nd Street’s seediest theaters (a de facto after-hours for the Studio 54 crowd), it seemed only natural to continue on with the cinematic monster mash by producing a follow-up, this time featuring the Wolfman! Paul Morrissey, who directed the previous two Warhol backed films, was tapped yet once again to take the helm of the Wolfman project, but unfortunate financial circumstances and contractual obligations got in the way. Warhol and his fellow producers then approached famed West German b-movie director, Klaus Henninger, to head the production. Of the many major changes put forth by Henninger and West German production company Kinowelt Filmproduktion to the project, one of the most notable was the hiring of West German psychedelic ensemble Blutbraüer to compose the original soundtrack. Henninger felt a different musical direction, as opposed to Claudio Gizzi’s orchestral approach, was required for the “Wolfsmann”. Pre-production began in early 1975, with shooting scheduled for the winter of that year. Just as the score was completed and shooting was about to commence, financing fell through. Not only did Kinowelt find themselves embroiled in a bevy of legal disputes, but their president was arrested on espionage charges and accused of being a double-agent for the D.D.R. (rolls of incriminating microfilm found on his person!). Thus, Andy Warhol’s Meat for Wolfman (Fleish für Wolfsmann) was never completed. Forty-five years later, in early 2020, the soundtrack tapes to this long rumored film were accidentally uncovered in a vault at the Bundesarchiv in Koblenz, Germany. After a series of complex international negotiations, made even more difficult by the global pandemic, the tapes were finally acquired by SFI Recordings, and painstakingly mastered for release by Warren Defever. 

 

21 April 2021

Severin Films Podcast, episode 10

 

From the Severin Films Podcast page:

"The horrific home invaders at Severin films are BACK to break into your weekend! Listen up as they break down the July 2021 announcements including the infamous film inspired by the Richard Speck spree killings BORN FOR HELL, an extremely under-seen canuxploitation inspired by a 40 day police strike SIEGE a.k.a. SELF DEFENSE, and directorial debut for SFX icon Gabe Bartalos SKINNED DEEP."

DJ Alfonso @ Teatro Malocchio - 17 April 2021

 

Here's a 30 minute mix I created for our Teatro Malocchio (a.k.a. Rendezvous Film Club) screening of Jose Ramon Larraz's VAMPYRES (1974).

17 March 2021

Severin Films Podcast, episode 9

 

From the Severin Films Podcast page:

"The malicious missionaries at Severin are back and they're covered in camouflage this month, because these titles are coming out of nowhere! Listen as your hosts break down the pure insanity that is the June releases. Bruno Mattei's infamous Exploding Hut saga STRIKE COMMANDO 1 & 2, as well as Alan Birkshaw's star-studded INVADERS OF THE LOST GOLD. The only thing in danger of a bad time with these releases is your wallet, because you are going to want to own them all!"

18 February 2021

Severin Films Podcast, episode 8

 

From the Severin Films Podcast page: 

"The worrisome warlocks and witches at Severin HQ have been stirring the cauldron to unearth this rare assortment of Christopher Lee blu-ray debuts in the EUROCRYPT OF CHRISTOPHER LEE collection. 

Seething with US debuts and a previously never-before-seen series hosted by Christopher Lee, this box set is sure to please every horror fan. An unbe-LEE-vable lineup of films like CHALLENGE THE DEVIL, CRYPT OF THE VAMPIRE and CASTLE OF THE LIVING DEAD to name a few! Join the triumphant trio of David, Zach and Andrew break down the set disc-by-disc and fill your weekend with g-LEE. Don't forget to stick around for DJ Alfonso's LEE-vil playlist in Rendezvous After Hours!"